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	<title>Comments on: Old School &#8211; with a teeny touch of jazz</title>
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	<link>http://www.thepopview.com/wordpress/2006/08/12/old-school-with-a-teeny-touch-of-jazz/</link>
	<description>Pop culture and nothing but.</description>
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		<title>By: The Pop View</title>
		<link>http://www.thepopview.com/wordpress/2006/08/12/old-school-with-a-teeny-touch-of-jazz/comment-page-1/#comment-5659</link>
		<dc:creator>The Pop View</dc:creator>
		<pubDate>Mon, 14 Aug 2006 19:58:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.thepopview.com/wordpress/?p=401#comment-5659</guid>
		<description>Excerpt from &lt;a href=&quot;http://www.cantstopwontstop.com/&quot;&gt;Jeff Chang&lt;/a&gt;&#039;s &lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0312425791/thepopview&quot;&gt;&lt;em&gt;Can&#039;t Stop Won&#039;t Stop&lt;/em&gt;&lt;/a&gt;:



&lt;blockquote&gt;&lt;strong&gt;In Search of a Post-Jazz Cool&lt;/strong&gt;
Frederick Brathwaite [later known as &lt;a href=&quot;http://en.wikipedia.org/wiki/Fab_5_Freddy&quot;&gt;Fab 5 Freddy&lt;/a&gt;] was a tall slim African American raised in the do-or-die Bed-Stuy.  He looked out at the world from behind his ever-present Ray-Bans, as if he has just stepped out of &lt;a href=&quot;http://en.wikipedia.org/wiki/Minton&#039;s_Playhouse&quot;&gt;Minton&#039;s Playhouse&lt;/a&gt;.

He had spent his childhood in casual proximity to Black genius.  The bebop elite frequented his family&#039;s house, people like Bud Powell, Thelonious Monk, Clifford Brown, and Freddy&#039;s godfather Max Roach.  His grandfather had been an associate of Marcus Garvey.  His father, an accountant, was in the audience at the Audubon Ballroom when Malcolm X was shot.  Freddy was born with an awareness of walking proudly through history.

Brathwaite wanted to be a serious artist.  But he was also searching for an artform he could organize his worldview around -- the same way his father saw the world through jazz. He found fresh energy in the Brooklyn mobile DJ scene, at shows thrown by Grandmaster Flowers, Maboya, and &lt;a href=&quot;http://www.jayquan.com/pete.htm&quot;&gt;Pete DJ Jones&lt;/a&gt;.&lt;/blockquote&gt;

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		<content:encoded><![CDATA[<p>Excerpt from <a href="http://www.cantstopwontstop.com/">Jeff Chang</a>&#8216;s <a href="http://www.amazon.com/exec/obidos/ASIN/0312425791/thepopview"><em>Can&#8217;t Stop Won&#8217;t Stop</em></a>:</p>
<blockquote><p><strong>In Search of a Post-Jazz Cool</strong><br />
Frederick Brathwaite [later known as <a href="http://en.wikipedia.org/wiki/Fab_5_Freddy">Fab 5 Freddy</a>] was a tall slim African American raised in the do-or-die Bed-Stuy.  He looked out at the world from behind his ever-present Ray-Bans, as if he has just stepped out of <a href="http://en.wikipedia.org/wiki/Minton's_Playhouse">Minton&#8217;s Playhouse</a>.</p>
<p>He had spent his childhood in casual proximity to Black genius.  The bebop elite frequented his family&#8217;s house, people like Bud Powell, Thelonious Monk, Clifford Brown, and Freddy&#8217;s godfather Max Roach.  His grandfather had been an associate of Marcus Garvey.  His father, an accountant, was in the audience at the Audubon Ballroom when Malcolm X was shot.  Freddy was born with an awareness of walking proudly through history.</p>
<p>Brathwaite wanted to be a serious artist.  But he was also searching for an artform he could organize his worldview around &#8212; the same way his father saw the world through jazz. He found fresh energy in the Brooklyn mobile DJ scene, at shows thrown by Grandmaster Flowers, Maboya, and <a href="http://www.jayquan.com/pete.htm">Pete DJ Jones</a>.</p></blockquote>
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